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A new interpretation of the Rego’s personal and artistic development across sixty years.
Paula Rego is an artist of astonishing power with a unique and unforgettable aesthetic. Taking its cues from the artist, this fascinating study invites us to reflect on the complexities of storytelling on which Rego’s work draws, emphasizing both the stories the pictures tell, and how it is that they are told.
Deryn Rees-Jones sets interpretations of the pictures in the context of Rego’s personal and artistic development across sixty years. We see how Rego’s art intersects with the work of both the literary and the visual, and come to understand her rich and textured layering of reference: her use of the Old Masters; fiction, fairy tales and poems; the folk traditions of Rego’s native Portugal; and her wider engagement with politics, feminism and more. The result is a highly original work that addresses urgent and topical questions of gender, subject and object, self and other.
Foreword by Marina Warner • 1. Configurations (1951–1980) • 2. Monkeys, Rabbits, Girls and Dogs (1981–1987) • 3. The Story and the Secret (1987–1994) • 4. Animations (1995–1998) • 5. Theatres of Memory (1999–2005) • 6. Metamorphosis (2006–2018)
About the Author
Deryn Rees-Jones is a writer and academic, whose poetry has received numerous critical accolades, including shortlisting for the T. S. Eliot and Roland Matthias Prizes. A professor at the University of Liverpool, she co-directs the university’s Centre for New and International Writing. She is editor of the Pavilion Poetry series, and a co-editor of the journal Women: A Cultural Review.
Marina Warner’s study of the Arabian Nights, Stranger Magic (2011) won the Truman Capote Award for Literary Criticism and the Sheikh Zayed Book Award in 2013; in 2015 she was awarded the Holberg Prize in the Arts and Humanities and was made DBE. She is a Professor of English and Creative Writing at Birkbeck College, a Fellow of the British Academy and President of the Royal Society of Literature